The Treichler-Pizzi-Trontin Experience @ tHBBC (Cully Jazz Festival)

Described as “a laboratory of ideas, where you will assist the birth of creation live and direct, public jam sessions, pure sound research”, there’s a sense of anticipation in the air as I wait for The Treichler-Pizzi-Trontin Experience to take to the small stage at the Hundred Blue Bottle Club. It’s the last night of their OFF festival residency in Cully and a tightly-packed crowd of loyal Young Gods fans of all ages are giving off the distinct impression that something thrilling and unique is about the take place. It’s the coming together of well-seasoned, deeply-connected musical partners still capable of enthralling their audience with new ideas and aural concepts. The three musicians share a musical history of almost 30 years, yet everybody present knows that old school nostalgia is not on the menu tonight.

A tight whirlwind of gripping sound

Indeed, for those not familiar with the three-decade towering inferno that are Treichler and company, it might be a surprising sight to see men over 50 producing such a tight, trancy, experimental, head-nodding wall of sound. From the get-go there is a sense of journey, like being yanked onto a rhythmic train moving with pleasant urgency from station to station, hypnotising you with varying degress of intensity and volume along the way. Rhythms are created slowly, electro beats taking their time before coming at you like a whip and ensnarling you into a tight whirlwind of gripping sound.

 It’s a technological playground for bedroom rockers

Franz Treichler, the archetypal gum-chewing rock legend, weaves his often unintelligeble vocals in and out of the soundscape tapestry. His words are at times irrelevant and haphasard but serve to add a darker edge to the swirling, dubby rhythms. Interesting effects are used to create echo, reverb, loops and playback – it’s a technological playground for bedroom rockers who like their soundtrack trippy, hypnotic and just that little bit sinister. When things get a little too bouncy, Treichler comes in with a good dose of tough-love guitar to remind us there is beauty in light and shade. However, for me, the greatest of props go to drummer, Bernard Trontin, who steers a tight ship full of funky breakbeats and unparalleled rhythmic structure. Watching his dexterity and joy behind the drumkit is a rare delight.

Four questions to Franz Treichler
What was your reasoning behind “a laboratory of ideas”?

Franz Treichler: We were invited to do a residency at the Hundred Blue Bottle Club as part of the OFF festival at Cully Jazz. It seemed a perfect occasion to try out new ideas without the pressure of having to play Young Gods material. The OFF festival attracts a very open-minded audience at Cully, the atmosphere on stage is very free, basically ‘anything goes’. This felt appropriate for the band. Some ideas were born in the afternoon and played out the same night. Tracks changed every evening. I played guitar in a style I don’t normally use for The Young Gods, the same for my vocals – I couldn’t really call it singing, it was more sound improvisation and throwing things into the mix. There weren’t even any track titles, each piece was considered a session, a one off.

Why didn’t you bill yourselves as The Young Gods?

Franz Treichler: This would have changed the expectations of the audience and would have limited our freedom to experiment. We really wanted to create a mysterious vibe during the residency, encourage the listeners to be curious and progressive with us. Expect the unexpected.

What was happening on stage from a technical point of view?

Franz Treichler: Cesare and I both had computers loaded with programmes that activate sound, sequencing, loops and pitch. Our computers were synchronised so that I could affect what he was playing and vice versa whilst keeping in rhythm. It was a very free and interactive process, although I must admit that there were times when it was hard to know who was doing what! What we set out to create was a sound of elevation, (music doing the job of the drugs!)

Is this in some way the future sound of The Young Gods?

Franz Treichler: We’d like to do something for the next album that’s in a similar vein, by that I mean not totally sequenced. We’ve always been categorised somewhere between rock and electronic music. It would be good to expand our experimental ambiant side, something less structured, more free.

Band line up:

Franz Treichler – vocals, guitar
Cesare Pizzi – keyboard, sample
Bernard Trontin – drums

des cadeaux, encore des cadeaux…

Ce n’est plus Noël, mais l’excellent label genevois, Mental Groove a décidé de jouer les prolongations. Il nous offre une compilation gratuite en téléchargement ici. On y retrouve des titres (dont des inédits) de Mama Rosin, Imperial Tiger Orchestra et La Fanfare Kadebostany dont nous vous avons longuement parlé sur ce blog.


Mais aussi des autres artistes plutôt inspirés, comme Chapter, ce duo genevois qui conçoit ses albums comme des livres. Tome après tome, il égrène, un folk blues inspiré aux voix un peu décalées.

The Young Gods

Et comme Mental Groove aime la musique électronique, il y a aussi de bons titres de house dont celui de Laolu qui lorgne du côté du Nigéria. De l’electro tout droit sortie du cerveau défectueux de Sinner DC. Et du rock teinté d’électro avec Nectar Divine, un nouveau projet signé Christophe Calpini (Stade, Mobile in Motion) et une long remix des parrains Young Gods.
La playlist propose même un ovni de The Proteins, dont le titre “Could this be the End?” fait très fin de monde…

Bref beaucoup de bonnes choses, agrémentées d’excellentes notes de pochettes (également téléchargeables) signées du journaliste Thierry Sartoretti.

Dépéchez-vous! Ces pépites musicales sont offertes jusqu’au 31 janvier 2012 seulement sur le site de Mental Groove.

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